She traveled regularly to New York City for vocal and acting lessons. At the age of nine she turned her attention to musical theatre and performed in Berks Youth Theatre Academy productions of "Grease", "Annie", "Bye Bye Birdie" and "The Sound of Music". Her mother put her in a saddle when she was nine months old and Swift later competed in horse shows. Her first hobby was English horse riding. Taylor spent her summers at her parents' vacation home at the Jersey shore. When she was nine years old the family moved to Wyomissing, PA, where she attended West Reading Elementary Center and Wyomissing Area Junior/Senior High School. Taylor spent most of her childhood on an 11-acre Christmas tree farm in Montgomery County, Pennsylvania. She was named after James Taylor, and her mother believed that if she had a gender neutral name it would help her forge a business career. Her ancestry includes German and English, as well as some Scottish, Irish, Welsh and 1/16th Italian. Taylor Alison Swift was born on December 13, 1989, in Reading, Pennsylvania, to Andrea (Finlay), a one-time marketing executive, and Scott Kingsley Swift, a financial adviser. As of this writing, she is also the top-selling digital artist in music history. She also has been named the American Music Awards Artist of the Year, as well as the Entertainer of the Year for both the Country Music Association and the Academy of Country Music, among many other accolades. In 2011 Swift was named Billboard's Woman of the Year. 3.Taylor Alison Swift is a multi-Grammy award-winning American singer/songwriter who, in 2010 at the age of 20, became the youngest artist in history to win the Grammy Award for Album of the Year. While not the kind of game-changer Swift has produced in the past, Midnights ensures there is still some way to go in this phase of her career. It is bold, affecting and cinematic in scope and lyricism: "One night, a few moons ago I saw flecks of what could've been lights/But it might just have been you passing by unbeknownst to me," Swift sings in the opening verse. Snow on the Beach sounds exactly like how a Swift and Lana Del Rey duet should. “You’re terrified to look down/'cause if you dare, you’ll see the glare/ Of everyone you burned just to get there,” Swift sings, with added steele. Meanwhile in the caustic and slow-burning Karma, Swift seemingly points her rage at Scooter Braun, her former manager and powerful music executive who controversially sold the masters of her first six albums for a reported $300 million - a move Swift has publicly criticised. Over the scudding synth riffs of Anti-Hero, she descends into self-loathing when, in the swelling chorus, she declares "I am the problem." Midnights is about the emotions she felt from bouts of sleepless nights, something she eloquently describes as when "depression works the graveyard shift." While the production is expectedly top-notch, Swift has used some of the songwriting lessons learnt from writing Folklore and Evermore to create a beguiling collection of songs packed with hooks and subtle intricacy. While that return to familiar territory has been welcomed by her fans, who crashed Spotify on the day of the album's release, does it represent a backwards step? These are replaced with her blockbuster brand of autobiographical and shimmering synth pop. Gone are the acoustic and roots sounds of Folklore and Evermore - which now increasingly resemble a wonderful career interlude induced by the pandemic. For her 10th album, Swift is back in her comfort zone.
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